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Theory of the Film: Character and Growth of a New Art

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Theory of the Film: Character and...

Theory of the Film: Character and Growth of a New Art

Bela Balazs

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Έτος:

1970

Εκδότης:

Dover Publications

Γλώσσα:

english

Σελίδες:

318

ISBN 10:

0486226859

ISBN 13:

9780486226859

Αρχείο:

PDF, 30.91 MB

IPFS:

,

english, 1970

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Ίσως σας ενδιαφέρει

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Sergei Eisenstein — The Film Sense

Ingmar Bergman — The Magic Lantern: An Autobiography

Sergei Eisenstein — Film Form: Essays in Film Theory

J. Dudley Andrew — The Major Film Theories: An Introduction

Dudley Andrew — Concepts in Film Theory

Gerald Mast, Marshall Cohen, Leo Braudy — Braudy, Cohen & Mast Film Theory and Criticism

James Monaco — How to Read a Film: The World of Movies, Media, Multimedia (3rd edition)

David Neumeyer, James Buhler, Rob Deemer — Hearing the movies: music and sound in film history

Torben Grodal — Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition

Murray Smith — Engaging Characters: Fiction, Emotion, and the Cinema

Brian McFarlane — Novel to Film: An Introduction to the Theory of Adaptation

Pramaggiore Maria; Wallis Tom — Film art a critical Introduction

Michel Chion — The Voice in Cinema

James Lastra — Sound Technology and the American Cinema: Perception, Representation, Modernity

Felicity Colman — Film Theory: Creating a Cinematic Grammar (Short Cuts)

Ira Jaffe — Slow Movies: Countering the Cinema of Action

Christian Metz — Psychoanalysis and the Cinema: The Imaginary Signifier

Kaja Silverman — The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Theories of Representation and Difference)

Jean Mitry, Christopher King — The Aesthetics and Psychology of the Cinema

George S. Semsel, Xia Hong, Hou Jianping — Chinese Film Theory: A Guide to the New Era

David Bordwell, Noel Carroll — Post-Theory: Reconstructing Film Studies

Graeme Turner — Film as Social Practice (Studies in Culture and Communication)

Susan Hayward — Cinema Studies: The Key Concepts: 2nd Edition (Key Concepts) (Routledge Key Guides)

Jill Nelmes — Introduction to Film Studies

David Bordwell — Poetics of Cinema

Lev Vladimirovich Kuleshov, Ronald Levaco — Kuleshov on Film: Writings by Lev Kuleshov

Dziga Vertov — Kino-Eye: The Writings of Dziga Vertov

Anton Kaes, Nicholas Baer, Michael Cowan — The Promise of Cinema: German Film Theory, 1907–1933

Rudolf Arnheim — Film as Art

Lotte H. Eisner, Roger Greaves — The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt

Jennifer M. Barker — The Tactile Eye: Touch and the Cinematic Experience

Miriam Hansen — Cinema and experience : Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno

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Sergei Eisenstein — Nonindifferent Nature: Film and the Structure of Things

Dr Greg M. Smith — Film Structure and the Emotion System

Edward S. Small — Direct Theory: Experimental Film Video as Major Genre

Janet Staiger — Perverse Spectators: The Practices of Film Reception

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